Born and educated in Scotland, Gwen Hardie lived and worked in London and Berlin before settling in New York City in 2000. Upcoming shows include ‘The Hague Art Fair’, represented by Chabot Fine Art / ASAP Gallery, October 2023 and “Thresholds”, a Solo show with Dolby Chadwick , San Francisco, Feb 2024.
Her work is featured in ongoing collaborations with The Spaceless Gallery (based in Paris and Miami) and Holly Hunt in Chicago, Miami and LA and The Invisible Collections new “Townhouse” in NYC. Recent solo shows include; “Atmosphere – Gwen Hardie”, at the late ESTELLA Gallery, New Orleans, Jan-Feb 2023 , “Human Boundaries’, Galerie Pugliese Levi in Berlin Nov 2021- Feb 2022 and “Intimations”, at 57W57 Arts, NYC, Mar 17- April 21 2022.
Recent group shows include; “Volume”, Arden and White Gallery, New Cannan, Summer 2023, 57W57 Arts in NYC and Art The Hague (2021), PAN AMSTERDAM and KunstRAI art fairs with ASAP Gallery, Rotterdam, and at Chabot Fine Art in The Hague. Previous exhibitions include Reality: Modern and Contemporary British Painting at The Walker Art Gallery in Liverpool and The Sainsbury Centre in Norwich, with Lucien Freud, Jenny Saville and others; “Skin; An Artistic Atlas”, with Marlene Dumas and others at the RHA, Dublin. “Borderline; Depictions of Skin” at Garis & Hahn, New York City, 2013. She was the youngest living artist ever to be given a solo show at The Scottish National Gallery of Modern Art in Edinburgh in 1994.
Hardie’s work is in private and public collections such as The Metropolitan Museum of Art, New York, the British Council, London, and the Calouste Gulbenkian Modern Collection, Lisbon. Her work has been reviewed by Art In America, The New York Times, Artcritical.com, The Glasgow Herald, The New Yorker, The Scotsman, and The Independent among others.. Hardie has received Fellowships at The Bogliasco Foundation, Genoa, Italy, VCCA, MacDowell and Yaddo in the USA.
Hardie has been awarded residencies at The Bogliasco Foundation in Italy, (2015 and 2006), Yaddo, MacDowell and the VCCA in America. Her work has been reviewed in UK and US publications such as The Times, Art In America, The New York Times, The Glasgow Herald, The New Yorker, The Sunday Herald, Contemporary Visual Art, Time Out, The Scotsman and The Independent.
Download CV (PDF format) or see below
C.V.
Awards
2015 ….. Bogliasco Fellowship, Liguria study Center, Bogliasco, Italy
2012 ….. Constance Saltonstall Foundation Residency, Ithaca, New York
2010 ….. Residency at Virginia Creative Center for the Arts,Virginia
2009 ….. Residency at Virginia Creative Center for the Arts,Virginia
2008 ….. Residency at Virginia Creative Center for the Arts,Virginia
2007 ….. Residency at Virginia Creative Center for the Arts,Virginia
2006 ….. Yaddo Residency, Saratoga Springs, New York
2006 ….. Bogliasco Fellowship, for residence at the Liguria Study Center, Bogliasco, Italy
2005 ….. Yaddo Residency, Saratoga Springs. New York
2004 ….. Residency at The MacDowell Colony, Peterborough, NH
2003 ….. Residency at The Ragdale Foundation,Lake Forest, Illinois
2003 ….. Residency at Virginia Creative Center for the Arts,Virginia
2002 ….. Residency at Virginia Creative Center for the Arts, Virginia
2000 ….. Membership of the Elizabeth Foundation of the Arts Studio Center, New York
2000 ….. Prizewinner of the 20th John Moores Liverpool Exhibition, Walker Art Gallery, Liverpool
1997 ….. ‘Annual Award’, King Edward the 7th British German Foundation, Berlin
1986 ….. ‘DAAD Extension’
1984-85 ….. ‘DAAD Annual Art Scholarship’, Berlin, West Germany ; to study with Baselitz
1983-84 ….. ‘Richard Ford Award’, Royal Academy, London, to study Velasquez, Prado Museum, Madrid
…
Education
1984-85 …. Hochshule Der Kunste, study with Baselitz.
1984 …. Edinburgh College of Art, Scotland (post graduate diploma with distinction)
1979-1983 …. Edinburgh College of Art, Scotland (first class honours degree)
Solo Shows
2022 -23… “Atmosphere- Gwen Hardie”, ESTELLA Gallery, New Orleans, Dec 2 – Feb 4 2023
2022……”Intimations”, 57 W 57 Arts, NYC, Mar 17- Apr 21
2022….”Human Boundaries”, PuglieseLevi Galerie, Berlin, Nov 8 2021 – February 26 2022
2021….Gwen Hardie ‘Mini show’ ; three paintings changing window display, PuglieseLevi Galerie, Berlin, April 17- May 12
2014 …. “Skin Deep”, Smoyer Gallery, Roanoke College, US (catalog)
2013 …. “Boundaries”, Taigh Chearsabhagh, Lochmaddy, North Uist, Scotland (catalog)
2012 …. “Boundaries”, An Lanntair, Stornoway, The Outer Hebrides, Scotland. (catalog)
2009 …. “Body Tondi”, Bridge Street Studio Center,Brooklyn, NY
2005 …. “Face”, Dinter Fine Art, New York (catalog)
2004 …. “Closer”, Alpan Gallery, Huntington
2001 …. “Verge”, Lindsey Brown, New York
1999 …. Beaux Arts, London (catalogue )
1996 …. Jason & Rhodes, London (catalogue)
1994 …. Annely Juda Fine Art, London
1994 …. Scottish National Gallery of Modern Art, Edinburgh
1990 …. Talbot Rice Arts Centre, Edinburgh (catalogue)
1988 …. Fischer Fine Art, London
1988 …. Kettles Yard, Cambridge, England
1987 …. Fruitmarket Gallery, Edinburgh, Scotland (touring UK) (catalogue)
1986 …. Paton Gallery, London
Selected Group Shows
2023 …..Art The Hague Art Fair, represented by ASAP / Chabot Fine Art,The Netherlands, Oct
2023….Gwen Hardie, Installation at The Invisible Collection, The Townhouse , in collaboration with The Spaceless Gallery
2023….”Volume”, Arden and White Gallery, New Cannan, CT
2023….Chelsea Highline Apt project, in collaboration with the Spaceless Gallery
2022-23 ……“Consciousness”, Sage Culture Gallery, LA, October- Dec 6 2022 – Feb 25th 2023
2022-23….. Holly Hunt Showrooms in Chicago, Miami and LA in collaboration with The Spacelesss Gallery, till April 1st, 2024
2022 ….“A wandering between shadow and light”, The Spaceless Gallery in collaboration with Maison Veronese, Paris, Sep 10- Dec 31
2022 ……“Art The Hague”, showing with ASAP Gallery,The Hague, October 2022
2022 ……“Artists of the Galerie”, Galerie Pugliese Levi, Berlin, Sep 1 – 30
2022….Spring Show, Pugliese Levi Mar 5 – May 1
2022….Kunst Rai, with ASAP Gallery, Amsterdam, April 13- 18
2021….57W57Arts, NYC, Group show, Sep 9 – Oct 22
2021….’Art The Hague’, The Netherlands, with ASAP Gallery, Sep 30 – Oct 3
2021….”One by One”, changing window display of Gallery artists, Galerie Pugliese Levi, Berlin, Feb 9-13
2020….Pan Amsterdam Weekend, Chabot Fine Art, The Hague, The Netherlands
2020-21….”Pushing Paper”, Contemporary Drawing from 1970-now, British Museum Touring Exhibition, Glynn Vivian Art Gallery, Wales
2020….Chabot Fine Art, Summer show, The Hague
2019…. “De Pan” Art Fair, showing with ASAP Gallery, Amsterdam, The Netherlands
2019…. “Pushing paper”, British Museum, London,
2019 …”Art The Hague”, showing with ASAP Gallery, The Hague, The Netherlands
2018….Art The Hague, with ASAP, The Hague, Netherlands, September 2018
2018….”Kunst Rai”, with ASAP, (Alexandra Siebelink Art Projects), Amsterdam, The Netherlands
2017….”In Light Of The Body”, Paintings and Photographs by Gwen Hardie and Regina Deluise, Julio Fine Arts Gallery, Baltimore, MD
2015…”REALITY, Modern and Contemporary British Painting”, Walker Art Gallery, Liverpool, July- November
2014….”Reality: Modern and Contemporary British Painting”, with Lucien Freud, Cecily Brown, Jenny Saville and others, The Sainsbury Centre, Norwich, UK. Sep 27 2014 – Mar 1st 2015 (catalog)
2014….”The Art of Healing”, Attic Salt Gallery, Edinburgh Festival, July 1st – Aug 1st
2013….”Borderline, Depictions of Skin”, Gwen Hardie, Cynthia Lin, Diana Schmertz, Garis & Hahn, New York City
2013….”Skin; An Artistic Atlas:, with Marlene Dumas, John Coplans and others, Royal Hibernian Academy, Dublin (catalog)
2013….”Skin over Bone”, James Hardie, Amy Hardie and Gwen Hardie, Stirling University, Scotland (catalog)
2013….”Outwin Boochever National Portrait Exhibition”, National Portrait Gallery, Washington DC (catalog)
2012…..The Royal Hibernian Academy, Dublin, Ireland.
2012 …. “The Artists Studio”, Royal Scottish Academy, Edinburgh, Scotland.
2007 …. ‘Close’, Dinter Fine Art, Chelsea, New York
2006 …. ‘Brooklyn Artists’, Alpan Gallery, Huntington
2005 …. ‘London Art Fair’, Stephen Lacey Gallery’
2002 …. ‘Narcissus’, Scottish National Gallery of Art, Edinburgh, Scotland
2001 …. ‘Abstraction and Immanence’, Times Square Gallery, Hunter College, New York
2001 …. ‘Five’, Lennon,Weinberg, New York
2000 …. ‘Elizabeth Foundation for the Arts Studio Center’ Open Studios, New York
2000 …. ‘Tech’, Jason & Rhodes, London and ‘Galerie oef’, Paris
1998 …. ‘The 20th John Moores Liverpool Exhibition’, Walker Art Gallery, Liverpool, (prizewinner)
1997 …. ‘Prospect 93’, Frankfurter Kunstverein, Frankfurt
1993 …. ‘The New British Painting’, The Contemporary Arts Center, Cincinnati and touring America
1988-1990 …. ‘The Vigorous Imagination’, Scottish National Gallery of Modern Art, Edinburgh
1987 …. ‘The Self Portrait- A Modern View’, Artsite, Bath
1987 …. ‘Identity-Desire’, Scottish Arts Council touring show
Selected Public and Private Collections
Metroplitan Museum of Art, New York
British Council, London. Contemporary Art Society, London
Scottish National Gallery of Modern Art, Edinburgh
City Art Collection, Edinburgh
Elaina Richardson, New York
Miriama Young, Sydney, Australia
Dominique Mancellon, Scotland
Claire Colebrook, USA
Logan MacWatt, Hong Kong
“The Grace of The Birch”, New Stobhill Hospital, Reiach & Hall Architects, Glasgow, Scotland
David Cohen, New York
Sherry Roush, USA
Jayne Anne Phillips, USA
Gail Tsukiyama, California,
Kasen Summer Collection, Connecticut
Gulbenkian Collection, Lisbon
Scottish Arts Council, Edinburgh
Glaxo Group Research Ltd, London
Manchester City Galleries
Kirklees Museum and Galleries
Leicestershire County Council Artworks Collection
City Of Edinburgh Council
Aberdeen Art Gallery and Museums
Highland Council
New Hall Art Collection, University of Cambridge
University of Edinburgh Fine Art Collection
Teaching / Presentations
2020….Gwen Hardie; ESOP (Essential School of Painting) Artists Talk Live, July 10th, video on ESOP youtube
2020….”Gwen Hardie ; at the bodies edge”, 15 min video shot on location in the artists Brooklyn studio for “Pushing Paper..”exhibition,, British Council touring show, Glynn Vivian Gallery, Wales
“2018….Public Talk; “Earthly Bodies; Gwen Hardie”, Gallery 23, Edinburgh, Scotland.
2017….Lecture, Duncan of Jordanstone College of Art, Dundee, Scotland
2017….Masterclass in connection with “In Light of the Body”, Loyola University, Maryland, Baltimore,
2016….Royal Hibernian Academy, 5 day Masterclass
2015…. Master Class’ “Context and Scale in the Self-Portrait” at The Essential School of Painting, London
2014…. Master Class at Sainsbury Centre, Norwich, as part of REALITY; Modern and Contemporary British Painting
2008/12 …. Master Class at The Essential School of Painting, Bethnal Green, London
2006 …. Master Class at The Essential School of Painting, Bethnal Green, London
2004 …. Private Painting Instruction, Bridge St Studio Center, Brooklyn
2002 …. Visiting artist and tutor, MICA, Baltimore,Maryland.
2001 …. Visiting artist , New York Studio School, New York
1999 …. Tutor in Painting and Sculpture at Ottawa University, Canada
1999 …. Visiting artist and tutor, Cleveland University, U.S.
1998 …. Visiting artist and tutor, Glasgow School of Art, Scotland
1998 …. Visiting artist and tutor, Edinburgh College of Art, Scotland
1997 …. Tutor in painting, First year of Degree Course, modular system, Guildhall University, London
1997 …. Visiting artist and tutor, Winchester School of Art, England
1996 …. Visiting artist and tutor, Royal College of Art, London
1995 …. Visiting artist and tutor , St Martins School of Art, London
1993 -1996 …. Tutor in Visual Arts, First Year of Degree Course, modular system, Oxford Brookes University
Bibliography
The Semi Finalist Interview by David Schell, online arts magazine based in the US, June 2023
Deeds World Artist Interview, online art magazine based in Berlin , 2021
“Gwen Hardie; Skin, Light and Paint”, Interview for The Walker Art Gallery Blog, published Oct 6th 2015
“Modern Scottish Painting”, JD Fergusson, Edited, Introduced and annotated by Alexander Moffat and Alan Riach, page 54, 2015
“The Power of Paint; REALITY, Modern and Contemporary British Painting”, House and Gardens, by Rode Dahlsen, 10 October, 2014
“Skin Deep”, Catalogue Essay for solo show at Smoyer Gallery, Roanoke College, USA, by Lindsay Blair, 2014
“Calme, Luxe and Volupte”; Gwen Hardie’s Body Series by Sarah Sargent, VCCA Blogspot, July 17th 2014
“Finding Empathy in the confines of our Skin”, Hyperallergic, by Susan Silas, April 8th 2013
“Borderline ; Depictions of Skin, Garis & Hahn, artcritical by David Cohen, April 16th 2013
“Living in Their Own Skin at Garis & Hahn”, Artefuse, by Oscar a. Laluyan, April 1st 2013
“The Scottish Cultural Memory Project”, 40 min film interview with Amy, Jim and Gwen Hardie for Rob Roy Films, Scotland, May 2013
“Bound by Nature”, Jan Patience, The Glasgow Herald, Jan 5th 2013
“Gwen Hardie; Face to Face”, Portrait of an Artist, Online Blog as part of Outwin Boochever Portrait exhibition, National Portrait Gallery, Washington DC, Jan 2013- Feb 2014
“Gwen Hardie at An Lanntair”, Fern Insh, Scottish Art Blog, August 09 2012
“Revealing Bodies, Anatomy, Allegory and the Grounds of Knowledge in the Long Eighteenth Century”, Cover Image, written by Erin M. Goss, Bucknell University Press, 2012
“RSA Annual Show”, Giles Sutherland, The Times, June 5th 2012
“A new body of work”, Catriona Black, Glasgow Herald, April 27th, 2012
“The Grace of The Birch; Art, Nature, Healing”, Art Collection for Stobhill Hospital, Glasgow, Scotland, Reich and Hall Architects, curated and written by Lindsay Blair, 2011
“Gwen Hardie; Art Words”, Scottish Homes and Interiors, August 2009
“Chip Off The Old Block”, BBC Radio Scotland Interview, May and July 2009
“Up Close and Personal”, Catriona Black, The Sunday Herald, Nov 16th 2008
“Gwen Hardie at Dinter”, Michael Amy, Art In America”, April 2006
“Gwen Hardie: Face Paintings 2005, David Cohen, The New York Sun, December 8th 2005
“Carol Kino observes Gwen Hardie”, exhibition catalog, Dinter Fine Art, New York, September 2005
“Face Forward: Fringe Interview with Artist GWEN HARDIE”, Dee Dee Vega, Fringe Underground, Dec 2005
“Gwen Hardie: Face Paintings 2005, David Cohen, artcritical.com December 2005
“Short List- Chelsea”, Gwen Hardie: Face Paintings 2005, The New Yorker, Dec 19th 2005
“Face Paintings, New York Times, Dec 16 to 23 , 2005
“In Progress: A sampling of artists in residence at the MacDowell Colony”, Monadnock Ledger, July 24th 2003
“Gwen Hardie, Verge”, Lindsey Brown Gallery, September 2001
“Lindsey Brown interviews Gwen Hardie” September 2001
“Abstraction and Immanence”,NY Arts, Deborah Everetts, April 2001
“Abstraction and Immanence”, New York Times, Ken Johnson, March 23 2001
“Five”, Art News, Cynthia Nadelman, November 2000
Editorial, Art Review, David Lee, April 1999
“Gwen Hardie”, Contemporary Visual Art, Issue 22, Sandra Lee, Spring 1999
Gwen Hardie/Beaux Arts”, Whats on in London, Rosanna Negretti, 2/3. 24.99
“Around the Galleries- Gwen Hardie”, The Times, Rachel Campbell-Johnston, 2.9.99
“he Secret Life of Paintings”- exhibition catalogue introduction, Beaux Arts, London, Keith Patrick, 1999
“The Female Figure- the legacy of Scottish Calvinism..”, Contemporary Visual Art, Issue 21, Bill Hare, Winter 1999
“Around the Galleries” The Times, July 14 1998
“Tech”, Jason & Rhodes Gallery, Contemporary Visual Art, Issue 19
The 20th John Moores Liverpool Exhibition video, with Dan Hayes, Gwen Hardie, Tony Bevan 1997
The 20th John Moores Liverpool exhibition catalogue 1997
“Gwen Hardie’- exhibition catalogue, Peterborough Museum & Art Gallery, 1996
“Gwen Hardie”, exhibition catalog introduction, Judith Bumpus, Jason & Rhodes, London
“Gwen Hardie”, Whats on in London, Andrew Lambirth, 4.24.96
“Gwen Hardie”, Time Out, Tania Guha, 4.24/5.1.96
“Arthur Boyd, Calum Colvin, Gwen Hardie; Jason & Rhodes, Time Out, 3.1. 95
“Stinging Salvos of flesh’, The Herald, Clare Henry, 2.4.94
“Gwen Hardie; gentle yet unnerving work”, The Christian Science Monitor, Christopher Andrea, 4.94
“Gwen Hardie; Mind in body”, The Big Issue, John Keenham, 2.94
“An Artists Diary”, Arts Review, Gwen Hardie, 2.94
“Divine Abstraction and Surface Tension”, The Scotsman, Edward Cage, 4.2.94
“Body of work”, Tatler, Celia Lyttleton, 1.94
“Jam on the southbound carriageway-fifty Scottish painters take Edinburgh to Hackney”, The Independent on Sunday, Tim Hilton, 8.15.93
“The Nude”, Scala books, Monica Bohm- Duchen, 92
“Relative Values”, Modern Painters, Margaret Walters, Autumn 92
“A woman who looks into and through’, The Christian Science monitor, Christopher Andrea, 6.11.90
“Primitive Origins, RA Magazine, Margaret Garlake, no 26, Spring 90
“Letter from Scotland”, Arts Magazine, Paul Wood, 4.90
“A light touch for the feminine form”, The Independent on Sunday, Tom Lubbock, 4.8.90
“Engaging feimininity and the art of seduction’, Glasgow Herald, Hilary Robinson 3.7.90
“Galleries- Scotland on Sunday”, Clare Flowers, 18 Feb 1990
“Original Work by developing artist”, The Scotsman, Murdo McDonald,, 2.19.90
“A sensual artist who is watching her figure”, Observer Scotland 2.18.90
“Galleries”, Scotland on Sunday, Clare flowers, 2.18.90
“The artist as amazon” The Times, David Lee, 2.14.90
National Galleries of Scotland Bulletin, Feb – March 1990, Gwen Hardie Solo Show
“Contemporary Women Artists, Phaidon, Wendy Beckett, 1988
“Scottish Art now;Gwen Hardie” channel 4, Keith Alexander, 20 mins, 1988
“Status symbolism, Harpers and Queen, Francis Spalding, 4.8.88
“Making sense of existence”, The Scotsman, Keith Hartley, 3.23.87
“Goodbye to soft hearts”, Bath and west evening chronocle”, Christopher Hansford, 4.12.88
“Gwen Hardie, Arts review, Graham Hughes, 12.4.87
“Modern Scottish Art packs a punch”, Christopher Andreae, Christian Science Monitor, Aug 24 1987
“Reconstructions”, Catalogue Essay for The Fruitmarket Solo show, Marjorie Allthorpe – Guyton, 1987
“Free spirits with designs on Vienna”, Financial Times, Mark Currah, 4.24.86
“Back to earth”, The List, Alice Bain, 4.16.86
“Good with Figures”, The Independent, Andrew Graham Dixon, 3.23.86
“Douglas Thompson and Gwen Hardie”, The Glasgow Herald, Clare Henry, July 17th 1984
“Weightlessness and gravity- Gwen Hardie interviewed”, The Festival Times, Murdo McDonald, Edinburgh 1984